Article MT038
his 'Grove' contributions
Vic Gammon recently suggested that Frank Kidson's contribution to the world of 'folk music' scholarship had been sadly neglected for most of this century and that, in particular, his entries in Grove's Dictionary of Music and Musicians give a fascinating glimpse of the man's encyclopædic knowledge and can also still contribute to our understanding of the field. This is certainly true, though only a fairly small proportion of them are likely to be central to the concerns of most readers of MT. (His Traditional Tunes (1891) is more likely to be of interest).
Accordingly, we are reproducing what we consider to be the more appropriate Grove entries here, since the original five volumes have been long unavailable except through specialist libraries - and few readers might have access to the fork-lift truck needed to take them home! Thus, those items considered appropriate are Blue/bold/underlined and link to the Grove entries, the remainder are in normal text. I have given the complete listing for those who do wish to persue any area further.
I have taken the liberty of modernising some of the more archaic punctuation and introducing elements of MT house-style in the presentation. More controversially, I have decided to omit some of the examples of music staff-notation included in the originals. This is for two reasons: firstly, such examples do not display at all clearly on-screen without a great deal of time-consuming work; and secondly, few are of what might be termed traditional music. A further consideration is that not all our readers will understand staff-notation - so I have added MIDI sound clips to all the staff-notation examples.
We begin with an introduction to the man and his work by John Francmanis, whose 1997 PhD thesis on Frank Kidson called The Musical Sherlock Holmes covers pretty well everything that the ordinary reader might need to know.
Rod Stradling - 18.5.99
Introduction
Published in 1891, Frank Kidson's volume of Traditional Tunes assured his place in history as one of the pioneers of song collection from the oral tradition in England. According to Lucy Broadwood, he had 'certainly' been the first to put his knowledge at the disposal of those other early collectors of whom she was herself one; and this acknowledged expertise guaranteed Kidson's invitation to join the fledgling Folk Song Society in 1898.
Kidson had been born in Leeds in 1855 into modest circumstances, but a small inheritance provided an opportunity to make a living from the arts rather than industry or commerce. Having achieved some success as a landscape artist, Kidson's turn from brush to pen in the early 1880s was accompanied by a growing fascination for old popular tunes. He quickly built up his own music collection, deriving an encyclopaedic knowledge from it, and resorted to the oral tradition when it became apparent that not all old tunes were accessible through printed sources.
Through his facility for tracing tunes back in time from volume to volume - antiquarian associates called him 'the musical Sherlock Holmes' - Kidson gained a unique appreciation of the history of printed music. His British Music Publishers, a by-product of this research, appeared in 1900. Generally considered to be his most important literary work, it would not be superseded until 1954. Kidson nevertheless devoted the rest of his life to preparing a second edition - mooted at the time the first appeared - which, because of the difficulties inherent in managing the volume of material revealed by his research, coupled with a refusal to put his name to anything he knew to be factually incorrect, would never be published.
Grove's Dictionary of Music and Musicians played an important part in the English musical renaissance by establishing that England had once been a musical nation: and, by implication, could be so again. Kidson's expertise in piecing together the musical past received recognition through Fuller Maitland's invitation to contribute to the new edition (Volume 1 pubished in 1904). Drawing on his continuing research into 'matters of British song and musical antiquity', this would eventually amount - reported the Musical Herald in August 1913 (p. 228) - to 'no less than 365 greater or lesser contributions from 'F.K.''.
It is perhaps doubtful whether Kidson would have concerned himself much more with the oral tradition had the 'folk-song' issue not risen to prominence. Ever the empiricist, he put his trust in the authority of printed sources, whereas the newcomer Cecil Sharp gave primacy to oral: a seemingly small point, but one with significant implications in the light of theories derived from Romantic ideologies. Kidson dismissed Sharp's English Folk-Song: Some Conclusions (1907) as 'conjectures', but his own approach became increasingly marginalised as Sharp's hold over the 'folk' movement was consolidated. Kidson died in 1926, 'obscured where once he had been considered foremost in authority' (Journal of the EFDSS, 1948, p. 135).
Sharpian orthodoxy has become increasingly subject to question in recent years. Thorough re-evaluation of the achievements of antiquarians such as Kidson, Broadwood and Annie Gilchrist is similarly overdue. They still have much to tell us.
John Francmanis - 11.2.99
Frank Kidson's contributions to ...
Grove's Dictionary of Music and Musicians
... ed. J A Fuller Maitland (London: Macmillan & Co. Ltd., 1910)
Volume I, A to E [first edition 1904]
|
Entry | Vol:Page | Notes
| Barley, William | I:187 |
| Bickham, George (junior) | I:325 |
| Birchall, Robert | I:328 | [annotations]
| Bland, John | I:336-7 |
| Bland & Weller | I:337 |
| Branle (Fr.)[3] | I:392-3 |
| Bremner, Robert | I:395-6 |
| Broderip & Wilkinson | I:406 |
| Button & Whitaker | I:427 |
| Cahusac, Thomas | I:444-5 |
| Ça Ira | I:445 |
| Campbells are Coming | I:450-1 |
| Carey, Henry | I:463-4 | [annotations]
| Carr, John | I:474 |
| Catch [part] | I:481-2 |
| Chapels Royal | I:503-4 | [annotations]
| Chappell & Co. | I:504 | [annotations]
| Clementi & Co. | I:557-8 |
|
|
Entry | Vol:Page | Notes
| Cluer, John | I:559-60 |
| Cocks & Co., Robert | I:561 | [annotations]
| Cooper, Richard | I:597-8 |
| Corri, Domenico | I:609-10 | [information]
| Corri & Co. | I:610 |
| Country Dance | I:624-5 |
| Cramer & Co. | I:633 | [additions]
| Cross, Thomas | I:639-40 |
| Cullen, John | I:645 |
| Dale, Joseph | I:653 |
| Davidson, G.H. | I:669 |
| Davis, Thomas | I:672 |
| Don Quixote | I:713-4 |
| D'Urfey, Thomas | I:749 | [additions]
| Engraving, Music | I:782-3 | [also addenda]
| Enoch & Sons | I:783-4 |
| Ewer & Co. | I:797 |
|
|
Volume II, F to L [first edition 1906]
|
Entry | Vol:Page | Notes
| Folk-Song Society | II:70 |
| Fougt, Henry | II:91 |
| Galoubet | II:139 |
| Gaschet (or Gachet), John | II:146 |
| Gawler, William | II:151 |
| Gittern | II:173 |
| Glen [part] | II:179 |
| God Save the King [part] | II:190-1 |
| Godbid, William | II:192 |
| Goulding & Co. | II:208 |
| Gow | II:211-2 |
| Gow, Neil | II:211 |
| Gow, Nathaniel | II:211-2 |
| Grafton, Richard | II:214 |
| Grassineau, James | II:217 | [additions]
| Guitar [part] | II:261 |
| Gunn, Barnabas | II:262 |
| Haddock family | II:269-70 |
| Hail Columbia | II:271-2 |
| Hare, John & Joseph [&c] | II:295-6 |
| Harper, Thomas | II:328 |
| Harrison, J. | II:333-4 |
| Hart, Andro | II:334 |
| Heptinstall, John | II:383 |
| Hill, Joseph | II:400 |
| Hime family | II:405-6 |
| Hodsoll, William | II:414 |
| Holden, Smollet | II:419 |
| Hole, William | II:419 |
| Home, Sweet Home | II:424-5 |
| Hornpipe | II:434-5 |
| Hudgebut, John | II:439 |
| Hunt, Richard | II:445-6 |
| Hurdy Gurdy [part] | II:447 |
| Husk, William | II:448 |
| Hydaspes | II:450 |
|
|
Entry | Vol:Page | Notes
| Irish Music [bibliography] | II:510-1 |
| Jackson | II:520 |
| Janiewicz, Felix | II:525 | [additions]
| John Brown'S Body | II:536-7 |
| Johnson, James | I:537-8 |
| Johnson, John | II:538 |
| Johnson, Samuel | II:539 |
| Johnston, John | II:539-40 |
| Jones, Edward | II:544 |
| Jones, Richard | II:544 |
| Jorram | II:545 |
| Judgment of Paris, The | II:550 |
| Keel Row, The | II:560-1 |
| Keller, Godfrey | II:562 |
| Kelly, Thomas A.E. | II:564 |
| Knapp, William | II:588 | [information]
| Knapton, Philip | II:588 | [annotations]
| Knott, John | II:591 |
| Lament | II:625 |
| Last Rose Of Summer [part] | II:649 |
| Lates, John James | II:649 |
| Lavenu, Lewis & Elizabeth | II:654 |
| Lee, George Alexander | II:662-3 | [additions]
| Life Let Us Cherish [part] | II:729 |
| Light, Edward | II:729 |
| Lilliburlero | II:732 | [annotated]
| Linley, Francis | II:737-8 | [adds & corrects]
| Linley, George | II:738 |
| Lintern, J. & W. | II:739 |
| Lochaber No More | II:759-60 |
| Loder, Edward James [etc] | II:762-3 |
| Longman & Broderip | II:769 |
| Love In A Village | II:774 |
| Love's Triumph [part] | II:774 |
| Luinig, or Luineag | II:778-9 |
|
|
Volume III, M to P [first edition 1907]
|
Entry | Vol:Page | Notes
| McDonald, Malcolm | III:4 |
| McDonald, Peter | III:4 |
| McGibbon, William | III:8 |
| McGlashan, Alexander | III:8 |
| MacKay, Angus | III:9 |
| Mackintosh, Robert | III:11 |
| Mackintosh, Abraham | III:11 |
| Macklean, Charles | III:11 |
| McLeod, Peter | III:11 |
| Mahoon, Joseph | III:28 |
| Malbrough, or Malbrook | III:31-2 | [Additions]
| Malcolm, Alexander | III:32 |
| Mancini, Francesco | III:39 |
| Marimba | III:57 |
| Marshall, William | III:64 |
| Matteis, Nicola | III:91-2 | [Additions]
| Meares, Richard | III:98 |
| Medecin Malgre Lui [part] | III:99 |
| Metzler | III:190 [Additions] |
| Midas | III:200 |
| Millico, Guiseppe | III:209-10 | [Annotated]
| Minuet [part] | III:215 |
| Monferrina | III:242-3 |
| Monro[e], George | III:249 |
| Montgomery, Hugh | III:254 |
| Monzani, Theobald | III:255 |
| Moore, Thomas | III:256-8 | [additions]
| Moorehead, John | III:258 | [additions]
| Morris, or Morrice, Dance | III:266-8 |
|
|
Entry | Vol:Page | Notes
| Mountain, Henry | III:278 |
| Mountain, Joseph | III:278-9 |
| Munro, Alexander | III:319 |
| Music, Printing | III:325-8 | [annotations]
| Napier, William | III:350 |
| Neale, John And William | III:358 |
| Negro Music of the US [part] | III:361-62 |
| Nelson, Sydney | III:362 |
| Noël [part] | III:386-7 |
| Oboe | III:420-1 | [annotation]
| Orpheus Britannicus | III:568-9 |
| Orpheus Caledonius | III:569 |
| Oswald, James | III:572-3 |
| Padlock, The | III:588 |
| Partant pour la Syrie | III:637-8 | [annotation]
| Paterson & Sons | III:652 |
| Pearson, William | III:662 |
| Peck, James | III:663 |
| Petrie, George | III:694 |
| Phillips, John & Sarah | III:710-11 |
| Playford, John | III:771-3 |
| Plectrum | III:773 |
| Pleyel [part] | III:774 |
| Port | III:794 |
| Powell, Samuel | III:802 |
| Power, James [& family] | III:802-3 |
| Preston & Son | III:812 |
| Purday | III:858-9 |
| Purdie, Robert | III:859 |
|
|
Volume IV, Q to S [first edition 1908]
|
Entry | Vol:Page | Notes
| Raban, Edward | IV:11 |
| Rag Time | IV:16 |
| Ramondon, Lewis | IV:22-3 |
| Randall, P. | IV:23 |
| Randall, William | IV:23 |
| Randles, Elizabeth | IV:24 |
| Rea, William | IV:30 | [annotated]
| Reinagle, Joseph | IV:57 |
| Rhames | IV:82 |
| Ribible | IV:89 |
| Richard Coeur de Lion | IV:91 | [addition]
| Ridell, John | IV:94 |
| Ridell, Robert | IV:94-5 |
| Rinaldo | IV:105 | [annotated]
| Rizzio, David | IV:110-1 |
| Roast Beef of Old England | IV:111 |
| Roberts, Henry | IV:111-2 |
| Roberts, John | IV:112 |
| Robin Hood | IV:112 |
| Roger, Estienne | IV:119 |
| Rogues' March, The | IV:121 |
| Rolfe & Co. | IV:123 |
| Roll | IV:123 |
| Rolli, Paolo Antonio | IV:124 |
| Root, George | IV:138-9 |
| Rosamond | IV:142 |
| Rosina | IV:148 |
| Rule Britannia [part] | IV:193 |
| Rutherford, David | IV:196 |
| Sadler's Wells | IV:203 |
| St. Cecilia's Hall | IV:205 |
| Sanderson [part] | IV:221 |
| San Martini, or Sammartini | IV:221 |
|
|
Entry | Vol:Page | Notes
| Schetky, Johann G.C. | IV:261 |
| Schickhard, Johann C. | IV:261 |
| Scordatura [part] | IV:387 |
| Scott, Lady John Douglas | IV:391 |
| Scottish Music [part] | IV:391-402 | [annotations]
| Sellinger's Round | IV:409 |
| Seraglio, The | IV:417 |
| Seres, William | IV:419 |
| Shepherd, William | IV:441 |
| Shirreffs, Andrew | IV:444 |
| Short, Peter | IV:444 |
| Shrubsole, William | IV:445 |
| Shuttleworth, Obadiah | IV:446 | [annotated]
| Sicilian Mariner's Hymn | IV:449 |
| Simpson, John | IV:456-7 |
| Sir Roger de Coverly [part] | IV:471 |
| Smart, George | IV:484 |
| Smart, Thomas | IV:485 |
| Snares | IV:491 |
| Snodham, Thomas | IV:491 |
| Specimens, Dr. Crotch's | IV:630-1 |
| Stabilini, Girolamo | IV:664 |
| Stansfield, Ely | IV:674 |
| Star Spangled Banner, The | IV:674-5 |
| Stenhouse, William | IV:692 |
| Stewart, Neil | IV:695 |
| Sticcado-Pastrole | IV:696 |
| Stock and Horn | IV:698 |
| Straight & Skillern | IV:713 |
| Straloch MS. | IV:713 |
| Street, Josiah | IV:720 |
| Sunderland, Mrs. | IV:754-5 | [additions]
|
|
Volume V, T to Z [first edition 1910]
|
Entry | Vol:Page | Notes
| Tabor | V:8 |
| Tagliato | V:9 |
| Tans'ur, William | V:18-9 |
| Tarantella [part] | V:21 |
| Tenducci, Giusto F. | V:70-1 | [additions]
| Thackray, Thomas | V:77-8 |
| Thomas and Sally | V:85 |
| Thompson | V:89 |
| Thompson, Robert | V:89 |
| Thomson, George | V:89-91 | [additions]
| Thomson, William | V:91-2 |
| Thomyris, Queen of Scythia | V:92 |
| Thorn, The | V:92 |
| Thorowgood, Henry | V:96 |
| Tom Bowling | V:116 |
| Tromba Marina [part] | V:162 |
| Tromba Spezzata | V:162 |
| Trydell, The Rev. John | V:172 |
| Tyrolienne | V:192-3 |
| Unger, Johann, Friedrich | V:197 |
| Urbani, Pietro | V:202 |
| Valentine, John | V:209 |
| Vamp, to | V:215 |
| Vanbrughe, George | V:216 |
| Vautrollier, Thomas | V:236 |
| Vauxhall Gardens [part] | V:237-8 |
| Vento, Matthias | V:245 |
| Vernon, Joseph | V:262 | [revised]
| Vicar of Bray, The | V:269-70 |
| Vincent, Thomas | V:277 |
| Viner, William Letton | V:278 |
| Viner | V:278-9 |
| Vogler, John & Gerard | V:371 |
| Wait, or Wayte | V:421 |
|
|
Entry | Vol:Page | Notes
| Walker, George | V:424 |
| Walsh, John | V:428-9 |
| Walsh, John, junior | V:429 |
| Walshingham | V:429 |
| Walmsley [part] | V:434 |
| Warren, Thomas | V:437 |
| Watlen, John | V:438 |
| Watts, John | V:439 |
| Waylett, Harriett | V:439 |
| Waylett, Henry | V:439 |
| Weichsell, Mrs. | V:487 |
| Welcker | V:491 |
| Welsh Music | V:492-501 |
| Wheatstone | V:512 |
| Whichello, Abiell | V:512 |
| Whistle | V:512-3 |
| White, John | V:514 |
| Whyte, William | V:518 |
| Williams, Maria Jane | V:527 |
| Williamson, T.G. | V:528 |
| Willis, Isaac | V:529 |
| Windet, John | V:545 |
| Wood, John Muir | V:561 |
| Woodcock, Robert | V:561-2 |
| Worgan, James | V:563 |
| Wright, Daniel | V:569 |
| Wright, Thomas | V:569-70 |
| Wright & Co. | V:570 |
| Wrighten, Mrs. | V:570 |
| Wynne, John | V:573 |
| Yigdal | V:577 |
| Youll, Henry | V:578 |
| Young | V:578-9 |
| Young, John | V:579 |
| Young, William | V:579 |
|
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Appendix
|
Entry | Vol:Page | Notes
| Aird, James | V:605 |
| Arethusa, The | V:606 |
| Artaxerxes | V:606-7 |
| Astor & Co. | V:607 |
| Auld Lang Syne | V:607-10 |
| Bay of Biscay, The | V:612 |
| Beggar's Opera, The | V:612 | [addition]
| Black Ey'd Susan | V:616 |
| Blue Beard | V:616 |
| Blue Bell of Scotland, The | V:616-7 |
| Bonny Dundee | V:618 |
| Bow, Musical | V:618 |
| British Grenadiers, The | V:620 |
| Broadwood | V:620 | [addition]
| Caller Herring | V:621 |
| Chanty, or Shanty | V:623-4 |
| Charke, Richard | V:624 |
| Cold and Raw | V:626 |
| Comin' Through the Rye | V:626-7 |
| Comus | V:627-8 |
| Death of Nelson, The | V:629 |
| Down Among the Dead Men | V:632 |
| Drink To Me Only With Thine Eyes | V:632-3 |
| Dubourg, Matthew | V:633 |
| Dulce Domum | V:633 |
| Dump | V:634 |
| Farewell Manchester | V:638-9 |
| Folk-Song Society | V:640 | [addition]
| Girl I Left Behind Me, The | V:642 |
|
|
Entry | Vol:Page | Notes
| Granom, L.C.A. | V:643 | [addition]
| Heart Of Oak | V:644-5 |
| Humphries, John | V:646 |
| Humphries, J.S. | V:646 |
| Hunnis, William | V:646 |
| Hymns Ancient and Modern | V:647 | [addition]
| Joan's Placket is Torn | V:647-8 |
| John Anderson, My Jo | V:648 |
| John Peel | V:648-9 |
| Jones, Richard | V:649 | [addition]
| Lass of Richmond Hill, The | V:650 |
| Leoni | V:650 |
| Libraries, Musical | V:651 | [addition]
| Manx Music | V:652-3 |
| Miller of the Dee, The | V:653 |
| Nancy Dawson | V:654 |
| Over the Water to Charlie | V:656-7 |
| Saint Patrick's Day | V:663 | [addition]
| Sally in Our Alley | V:663 |
| Scots Wha Hae | V:664-6 |
| Shan Van Voght, The | V:666 |
| Vincent, Thomas | V:669 | [addition]
| Walsh, John, Senior | V:670 | [addition]
| Weideman, Charles | V:670 |
| When the King Shall Enjoy His Own Again | V:670 |
| Within a Mile of Edinburgh Town | V:670 |
| Ye Banks and Braes o' Bonny Doon | V:671-2 |
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Article MT038
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